Mary Ellis writes Amish fiction and historical romance for Harvest House Publishers. Her current release is The Lady and the Officer, from the Civil War Heroines series, a tale of espionage, spies, and a woman caught between two worlds. She can be found on the web at: www.maryellis.net
Every writer whether our contemporaries or long gone has wrestled for hours when they can’t string seven words together into a concise sentence. We doubt ourselves, our mentors, the process we thought we’d perfected, even the quality of beans that went into our cup of java. It happens to the best of us. And it will happen to all of us eventually. There is no one-size-fits-all solution since writers are as different as that shade of navy you’re trying to match. I can only give you my humble opinion to tuck into your first aid kit on possible cures.
When the words won’t come I see two possible reasons, both of which involve turning off and moving away from your computer. How many times have we fallen asleep in our easy chairs, but tossed-and-turned in bed for hours? If you get out of bed and put the TV back on, you’ll doze off by the next commercial. Same is true about trying to force creativity in front of your laptop. Once you are seated in a lawn chair or a booth at the coffee shop, consider the first reason your well is dry: You need more story. This happens more often for seat-of-the-pants writers than plotters, but even plotters can reach a lull when the action or romantic drama needs help from a subplot to thicken the stew. Ask yourself: What can come along to blindside your characters? What’s the worst thing they fear? Make it happen. Often writers concoct a thrilling opening and know exactly how to bring their story to a tasty conclusion. They might even have some plot twists in mind, but in long novels, not even the most devout “plotter” can pre-conceive enough scenes to keep the pace moving. Go where it’s quiet, where you can roll your eyes back into your head. Suddenly story ideas will flow faster than you can jot down on your Starbucks napkin.
The second problem we sometimes experience is the haven’t-I-said-all-this-before-syndrome. We’ve got our story; we’ve got our multi-dimensional characters. But we’re trotting out the same old metaphors and tired verbs. It’s time to get away to someone else’s creative work that’s not in the genre you write. Read a book by a writer whose work you admire to see how they craft a story. No time to read a full novel? Go to a movie, again one with a screenplay by someone you love. Sit back, sip your soda, munch your popcorn and enjoy. I’ve been known to utter things like: What a delightful black moment, much to my husband’s dismay. The key is getting away from yourself. Then when you return to your work-in-progress, the well will be primed with fresh creative waters. Happy writing.